My first foray into feature film production was as a storyboard artist for the historical fiction
No God No Master. The script and director provided the majority of the direction initially as the locations were still being scouted and the cast determined and shot list nonexsistant. The storyboards were to be produced quickly so it was encouraged that the boards not be too detailed or polished. As such, they were done in pencil with minimal cues (though more were added later).
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